Curriculum Vitae
Diamantis Alexandros
Director
Alexandros Diamantis was born in 1983 in Athens and studied the piano and Music Theory at the National Conservatory (Athens Greece). He has also studied Musicology at the University of Athens and studies since 2007 Orchestra Conducting at the “Hochschule für Musik und Theater” Munich, in the class of Professor Bruno Weil (Bachelor with grade excellent and Masterstudies) with a scholarship of the Academy of Athens. Simultaneously he works on his Phd on the subject “The Ancient Greek Tragedy in the Western European Opera of the Neoclassic”.
He works as a piano accompanist (Repetitor) at the Bayerische Philharmonie (Munich) and at various productions of the opera of Athens (Zauberflöte of Mozart, Il Barbiere di Siviglia of Rossini, Die lustige Witwe of Lehar and Un Ballo in Maschera of Verdi) and at the international production of Cosi fan tutte of Mozart at the castle of Weikersheim (Germany).
He conducts the various ensembles of the “Bayerische Philharmonie”, with which he was on tour in 2010 in 9 cities of South-Korea and is Guest-Conductor of the Chamber Orchestra of the University of Athens and of the Youth Symphony Orchestra of Athens. He has also conducted the Georgian Chamber Orchestra of Ingolstadt, the Munich Symphony Orchestra, the Jalas Chamber Orchestra Finnland, the Bad-Reichenhall Philharmonie and the “Ensemble Octapus for modern music”. In July 2011 he worked as an assistant conductor at the international production of Mozart’s “Cosi fan tutte” in the castle of Weikersheim (Germany). After rehearsal trials by the “Ergon Ensemble for Modern Music”(Athens) and the “Philudiker” (Munich) he was elected directly from the Orchestra members Principal Conductor of the two orchestras.
In 2010 he won the Richard Wagner scholarship. He speaks English, German, French and Italian fluently and lives from 2007 in Munich Germany.
Repertoire
Pavane, Gabriel Faure
Concertone in C for two violins, W.A. Mozart
Concert for violin and Oboe, J. S. Bach
“La Traviata”, G. Verdi
Tannhäuser, R. Wagner
“Pagliacci“, Leoncavalo
Symphony No. 1, J. Brahms
Requiem, W.A. Mozart
Symphony No. 9, A. Bruckner
Symphony Νο. 36 ‘Linz’, W. A. Mozart
Symphony Νο. 6 ‘Pastorale’, L. v. Beethoven
“La Boheme”, G. Puccini
Requiem, G. Faure
Winterreise, F. Schubert
Arias „Sizes harasho“ opus 21 No.7 and „Ne poi krasavica pri mne“ Opus 4 No 4 S. Rachmaninof
Symphony in D, Vorisek,
‘La clemenza di Tito’, W.A. Mozart
‘Tod und Verklärung’, Richard Strauss
‘Don Giovanni’, W.A. Mozart
Symphony Νο. 2, J. Haydn
Symphony Νο. 9 ‘Unvollendete’, R. Schumann
“Rigoletto”. G. Verdi
Symphony Νο. 3, J. Brahms
Choral Fantasie, L. v. Beethoven
„Alceste“, C.W. Gluck
Tschechische (or Böhmische) Suite, Dvorak Opus 39
Symphony Νο. 2, L. v. Beethoven
Johannes Passion, J.S.Bach
“Die Fledermaus”, J. Strauss
Symphony Νο. 4, P. I. Tchaikovsky
5 Greek Dances for Strings, Nikos Skalkottas
Adagio for Strings, Samuel Barber
Gloria, A.Vivaldi
Suite „Peer Gynt“, E.Grieg
Cello concerto, Opus 104, A.Dvorak
“Il Barbiere di Siviglia”, G. Rossini
Symphony Νο. 1, Gustav Mahler
Piano Concerto Νο. 5, L. v. Beethoven
Symphony Νο. 9, L.v. Beethoven
“Der Fliegende Holländer”, R. Wagner
„Dido und Aeneas“ based on Henry Purcell, Dimitri Mitropoulos
Piano Concerto Νο. 2, L. v. Beethoven
Symphony Νο. 1, L. v. Beethoven
“Carmen”, G. Bizet
„Karneval der Tiere“, C. Saint-Saens
Symphony Νο. 2, L. v. Beethoven
“Zauberflöte“, W.A. Mozart
Carmina Burana, Carl Orff
Trionfo di Afrodite, Carl Orff
Catulli Carmina, Carl Orff
Egmont Ouverture, L.v. Beethoven
“Nozze di Figaro”, W.A. Mozart
Symphony No. 9 “From the New World”, Antonin Dvorak
Tripleconcert, L. v. Beethoven
Piano Concerto in A moll, Edvard Grieg
Cello Concerto, Edouard Lalo
Piano Concerto, W. A. Mozart, Opus 21
Piano Concerto No. 2, Sergei Rachmaninoff
Concertino for Trombone, Ernst Sachse
“Il Trovatore”, G. Verdi
Cello Concerto No. 1 in A moll, Camille Saint-Saens
Violin Concerto in D moll, Piotr Ilits Tchaikovsky
Piano Concerto No. 3, Piotr Ilits Tchaikovsky
“Carmen”, G. Bizet
Arie “Connais tu le pays” from the Opera “Mignon”, Ambroise Thomas
“Cosi fan tutte”, W.A, Mozart
“Tafi”, D. Mitropoulos
“Concertino for Trombone”, L. E. Larsson
“Apocheretismi”, L. Tonia
“Suite Dodekanisienne”, G. Konstantinidis
“Prelude a l’apres-midi d’un Faune”, Claude Debussy
“Leonore III” Ouverture, L.v. Beethoven
“Coriolan” Ouverture, L.v. Beethoven
Symphony No. 94, J. Haydn
Piano Concerto No.1, F.Liszt
“Un Ballo in Maschera”, G. Verdi
Symphony No.5, P.I. Tschaikowsky
Klarinettenkonzert, KV 622, W.A. Mozart
“Der Messias”, G.F. Händel
Symphony No. 4, J. Brahms
„Rusalka“, A. Dvorak
„Oberon“, C.M. von Weber
Arie „Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte“, K.V.520, W.A. Mozart
„Freischütz“, C.M. von Weber
„I Puritani“, V. Bellini
“La sonnanbula” von V. Bellini
„I Capuleti e i Montecchi“ von V. Bellini
„La Forza del Destino“ von G. Verdi
„Romeo et Juliette“ von C. Gounod
„Antigone“, A. Honegger
„Medee“, D. Milhaud
„Oedipus Rex“, I. Stravinsky
„Die lustige Witwe“, F. Lehar



